SVP Notes Index
LEVITATION, ACOUSTIC, TIBETAN
Text: Subject: [science-l] Accoustical Levitation Machinery
Date: 10 Jun 1998 05:51:07 -0000
From: Rick Audette
To: Science & Spirituality List
Here's something interesting about using sound waves to change the state of matter.
Rick
Excerpt from "Anti-gravity and the World Grid" edited by D.H.Childress,
ch.8, Acoustic levitation of stones by Bruce Cathie, pp. 213-217
A New Zealand scientist recently gave me an intriguing extract from
an article published in a German magazine, relateing to a demonstration
of levitation in Tibet. After obtaining a translation by a German
journalist, in English, I was amazed at the information contained in the
story, and was suprised that the article had slipped through the
suppression net which tends to keep such knowledge from leaking out to
the public. All the similar types of stories that I had read up until
now were generally devoid of specific information necessary to prove the
veracity of the account. In this case a full set of geometric
measurements were taken, and I discovered, to my great delight, that
when they were converted to their equivalent geodetic measures, relating
to grid harmonics the values gave a direct association with those in the
unified harmonic equations published in my earlier works. The following
extracts are translations taken from the German article: 'We know from
the priests of the far east that they were able to lift heavy
boulders up high mountains with the help of groups of various
sounds...the knowledge of the various vibrations in the audio range
demonstrates to a scientist of physics that a vibrating and
condensed sound field can nullify the power of gravitation. Swedish
engineer Olaf Alexanderson wrote about this phenomenon in the
publication, Implosion No. 13.
The following report is based on observations which were made only 20
years ago in Tibet. I have this report from civil engineer and flight
manager, Henry Kjelson, a friend of mine. He later on included this
report in his book, The Lost Techniques. This is his report.
A Swedish doctor, Dr. Jarl, a friend of Kjelsons, studied at Oxford.
During those times he became friends with a young Tibetan student. A
couple of years later, it was 1939, Dr. Jarl made a journey to Egypt for
the English Scientific Society. There he was seen by a messenger of his
Tibetan friend, and urgently requested to come to Tibet to treat a high
Lama.
After Dr. Jarl got the leave he followed the messenger and arrived
after a long journey by plane and Yak caravans, at the monestary, where
the old Lama and his friend who was now holding a high position were now
living.
Dr. Jarl stayed there for some time, and because of his friendship
with the Tibetans he learned a lot of things that other foreigners had
no chance to hear about or observe.
One day his friend took him to a place in the neighbourhood of the
monestary and showed him a sloping meadow which was surrounded in the
north west by high cliffs. In one of the rock walls, at a height of
about 250 metres was a big hole which looked like the entrance to a
cave.
In front of this hole there was a platform on which the monks were
building a rock wall. The only access to this platform was from the top
of the cliff and the monks lowered themselves down with the help of
ropes.
In the middle of the meadow, about 250 metres from the cliff, was a
polished slab of rock with a bowl like cavity in the centre. The bowl
had a diameter of one metre and a depth of 15 centimetres. A block of
stone was manoeuvred into this cavity by Yak oxen. The block was one
metre wide and one and one half metres long. Then 19 musical instruments
were set in an arc of 90 degrees at a distance of 63 metres from the
stone slab. The radius of 63 metres was measured out accurately. The
musical instruments consisted of 13 drums and 6 trumpets.(Ragdons)
Eight drums had a cross-section of one metre, and a length of one and
one half metres. Four drums were medium size with a cross-section of 0.7
metre and a length of one metre. The only small drum had a cross-section
of 0.2 metres and a length of 0.3 metres. All the trumpets were the same
size. They had a length of 3.12 metres and an opening of 0.3 metres. The
big drums and all the trumpets were fixed on mounts which could be
adjusted with staffs in the direction of the slab of stone. The big
drums were made of 1mm thick sheet iron, and had a weight of 150kg. They
were built in five sections. All the drums were open at one end, while
the other end had a bottom of metal, on which the monks beat with big
leather clubs. Behind each instrument was a row of monks.
When the stone was in position the monk behind the small drum gave a
signal to start the concert. The small drum had a very sharp sound, and
could be heard even with the other instruments making a terrible din.
All the monks were singing and chanting a prayer, slowly increasing the
tempo of this unbelievable noise. During the first four minutes nothing
happened,then as the speed of the drumming, and the noise, increased,
the big stone block started to rock and sway, and suddenly it took off
into the air with an increasing speed in the direction of the platform
in front of the cave hole 250 metres high. After three minutes of ascent
it landed on the platform.
Continuously they brought new blocks to the meadow, and the monks
using this method,transported 5 to 6 blocks per hour on a parabolic
flight track approximately 500 metres long and 250 metres high. From
time to time a stone split, and the monks moved the split stones away.
Quite an unbelievable task.
Dr. Jarl knew about the hurling of the stones. Tibetan experts like
Linaver, Spalding and Huc had spoken about it, but they had never seen
it. So Dr. Jarl was the first foreigner who had the opportunity to see
this remarkable spectacle. Because he had the opinion in the beginning
that he was the victim of mass-psychosis he made two films of the
incident. The films showed exactly the same things that he had
witnessed.
The English Society for which Dr. Jarl was working confiscated the
two films and declared them classified. They will not be released until
1990. This action is rather hard to explain, or understand.:End of
trans.'
The fact that the films were immediately classified is not very hard
to understand once the given measurements are transposed into their
geometric equivalents. It then becomes evident that the monks in Tibet
are fully conversant with the laws governing the structure of matter,
which the scientists in the modern day western world are now frantically
exploring. It appears,from the calculations, that the prayers being
chanted by the monks did not have any direct bearing on the fact that
the stones were levitated from the ground. The reaction was not
initiated by the religious fervour of the group, but by the superior scientific
knowledge held by the high priests. The secret is in the geometric
placement of the musical instruments in relation to the stones to be
levitated, and the harmonic tuning of the drums and trumpets. The
combined loud chanting of the priests using their voices at a certain
pitch and rhythm most probably adds to the combined effect, but the
subject matter of the chant, I believe, would be of no consequence.
The sound waves being generated by the combination were directed in
such a way that an anti-gravitational effect was created at the centre
of focus (position of the stones) and around the periphery, or the arc,
of a third of a circle through which the stones moved.
If we analyse the diagram published with the original article, then
compare it with the modified diagram, we become aware of the following
coordinates, and the implications, when compared with my previously
published works.
The distance between the stone block and the central pivot of the
drum supports is shown as 63 metres. The large drums were said to be one
and one half metres long, so the distance from the block to the rear
face of each drum could be close to 63.75 metres considering that the
pivot point would be near the centre of ballance. My theoretical analysis, by
calculator, indicates that the exact distance would be 63.7079 metres
for the optimum harmonic reaction. By mathematical conversion we find
that this value is equal to 206.2648062 geodetic feet, which is
harmonically equal to the length of the earths radius in seconds of arc
(relative to the earths surface) 206264.8062. This also leads us to the
following associations:
(206.2648062 x 2) = 412.5296124
This number squared = 170180.68 which is the theoretical harmonic of
mass at the earths surface.
The four rows of monks standing behind the instruments in a quarter
circle added to the production of sound by their loud chanting and must
be taken in to account in regards to the geometric pattern. If we assume
that they were standing approximately two feet apart, we can add a
calculated value of 8.08865 geodetic feet to the radius of the complete
group. This gives a maximum radius of: 214.3534583 geodetic feet.
The circumference of a complete circle with this radius would be:
1346.822499 geodetic feet.
Which is a half harmonic of 2693.645 (unified field)
The distance from the stone block to a calculated point within the
cliff face and the height of the ledge on the cliff face from ground
level is given as 250 metres. If we can now imagine that the raised
stone blocks pass through a quarter arc of a circle during their flight
from ground level to the hole in the cliff face, then the pivot point of
the radius would be coincident with this position.
The theoretical radius was found to be: 249.8767262 metres which very
closely approximates the estimate. This converts to 809.016999 geodetic
feet. The diameter of the full circle would therefore be: 1618.034
geodetic feet.
A circle with this diameter has a circumference of 5083.203728 units,
which can be divided into three weven lengths of 1694.4 It therefore
appears that the levitated blocks, once resonated to a certain
frequency, would tend to carry out a flight path that is coincident to
one third of a circle. The spacial distance being equivalent to the mass
harmonic at the center of a light field, 1694443.
The instruments used by the group, in theory, would also have been
tuned to produce harmonic wave forms associated with the unified fields.
The given measurements are in rounded off parts of a metre but in
practice some slight variations from these measurements would be
expected in order to create the appropriate resonating cavities within
the instruments.
The geometric arrangement, and the number of instruments in the group
would also be a most important factor.
If the given measurement for each type of drum is modified
fractionally and converted to its geometric equivalent an interesting
value for the cubic capacity is evident.
The large drums:
1.517201563 metres long, 1.000721361 metres wide =
58.94627524 geodetic inches long, 38.88 geodetic inches wide =
69984 cubic inches capacity =
40.5 cubic geodetic feet capacity.
Therefore the cubic capacity for eight drums = 324 cubic geodetic feet
This harmonic value is built into the world grid and is equal to half
the harmonic 648.
The medium size drums:
1.000721361 metres long, 0.695189635 metres wide =
38.88 geodetic inches long, 27.00948944 geodetic inches wide =
22276.59899 cubic geodetic inches capacity =
12.89155034 cubic geodetic feet capacity.
Therefore the cubic capacity for four drums: =
51.56620136 cubic geodetic feet
14.97414932 centimetres = 5.895334377 inches = 5.817764187 geodetic
inches = 0.484813682 geodetic feet
As the dish-shape was focussed upward towards the stone block to be
levitated it would be expected that some type of reaction would take
place which had an effect on the mass. The geometric shape of the cavity
does seem to be engineered in such a way the projected frequency vortex
causes a reciprocal reaction to the mass harmonic of each block.
The reciprocal of 0.484813682 = 2.062648055
Twice this value: = 4.12529611
The square of this value: = 17.018068 (the harmonic of mass at the
earth's surface.17018068
I believe that there is not much doubt that the tibetans had
possession of the secrets relating to the geometric structure of matter,
and the methods of manipulating the harmonic values, but if we can grasp
the mathematical theory behind the incident, and extend the application,
then an even more fascinating idea presents itself.
Note from Rick :
From the information given above, I would like to experiment with this
process. I think it should be possible to recreate the effect at a much
smaller scale. The downscaling, from what I've read of Bruce Cathie's
books, would have to be done by powers of 10, in order to maintain the
harmonic values. Given this, I think I would want to try using a 1cm :
1m scale. That way, I could put it in the closet when I was done playing
with it. In preparation for such an experiment, I began making a scale
drawing in Cad. While drawing, I thought it would be interesting to
create an overlay showing the shape of the combined wave form which
converges on the focal point.To do this, I first had to determine the
wavelength that each of the instrument would produce.The resonant
wavelength for a cylindrical cavity is equal to four times the length
plus 1,6 times the diameter. Taking it one step more, I divided the
speed of sound in air by the wavelength to get the frequency. Being more
of a musician than engineer, I wanted to see what combination of notes
they were playing. The results have been found for the three drum sizes,
but I don't have a formula that can be used on the horns. The horn
length falls between that of a french horn and a tuba. The base
frequency of a tuba is around 40cps, so the ragdons should be a little
higher. The frequency for each drum was compared with the American
Standard Pitch, A=440, the
International Pitch, A=435, and the Scientific or Just Scale, C=256,
charts to assign note values.
The values are; Large drum=43.24cps, F,
Medium drum=64.797cps,C,
Small drum=218.059cps,A
At this point, there are still three unknowns to find, 1) the pitch of
the trumpets, 2) the pitch of the priests chanting and 3) the frequency
of the rhythm of the drum beat and chanting. I shall continue my
interest in this experiment, in my spare time. Meanwhile, I would be
very interested in hearing from anyone who has additional information
about the above account, relative mathematical formulae, theories,
applications, experimental data or information on related books and
articles.
Rick
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