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KEELY'S THREE SYSTEMS part 3

Text: "My researches have proved to me" writes Keely, "the subtle and pure conditions of the power of negative attraction and positive propulsive." These same researches have enabled Keely to pronounce definitely as to the nature of gravity -- an ever-existing, eternal force, coexistent with the compound etheric or high luminous, entering into all forms of aggregated matter at their birth. Keely thinks that gravity is the source from which all visible matter springs, and that the sympathetic or neutral center of such aggregation have preceded it and to all that may succeed it, and that disturbance of equilibrium, like gravity, is an ever-existing force. All planetary masses Keely calls terrestrial, showing that the beauty of the celestial concordant chords of sympathy forming the harmonious connective link, is what may be denominated "the music of the spheres," and is seen in the alternate oscillating range of motion between the planetary systems, for at a certain range of the greater distance, harmony is established and the attractive forces are brought into action, and then, in the return towards the neutral centers when at the nearest point to each other, the opposite or propulsive force is brought into play. Keely has constructed instruments by which he is endeavoring to determine the nature of the triune action of the polar terrestrial stream or envelope, as regards its vibratory philosophy. He is seeking to demonstrate its sympathetic association with the celestial stream or luminiferous track, the compound etheric field, from which all planetary masses spring. He considers the electric stream to be one of the triune sympathetic streams which help to build up, in their order of triple concentration, the high vitality of the polar stream, or, more correctly, the magnetic-electric terrestrial envelope, without which all living organisms would cease to exist. He classes the cohesive force or molecular masses as the dominant order of the electrical stream, the molecule owing its negative attractive quality to the magnetic element. In Keely's experiments in antagonizing the polar stream, recently before men of science, he has copied in his instruments the conditions nature has established in her terrestrial ranges necessary to equate a state of sympathetic disturbance for the revitalization of what is continually displaced by negative dispersion. These mechanical conditions are principally differential vibratory settings on molecular aggregations of the metallic masses of gold, silver and platinum. He has discovered the range of molecular motion in all quiescent masses is equal to one-third their diameters and that all extended range is induced by sound force, set at chords of the thirds which are antagonistic to the combined chords of the mass of the neutral centers that they represent, and that at a certain increased range of molecular motion, induced by the proper acoustic force, the molecules become repellant, and that when the sympathetic centers are influenced by a vibration concordant to the one that exists in themselves, the molecules become attractive; that the repellant condition seems to take place at a distance of about ten of the diameters of the molecules, this distance of about ten of the diameters of the molecules, this distance representing the neutral line of their attractive force, or the dividing line between the attractive and the repellant. Beyond this line, perfect triple separation takes place, inside of it, perfect attractive association is the result. The force he uses in running machinery is the sympathetic attractive, which he says draws the planets together, while in his system of aerial navigation he will use a negation of this force, the same regulating the recession of the planets from each other. It is the sympathetic attractive force which keeps the planets subservient to a certain range of motion between their oscillations. Nature has established her sympathetic concordants from the birth of the neutral centers of the planets, in a manner known only to the Infinite One. This is gravity.

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Source: 11

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