Interact on KeelyNet Mail List: Aural alteration of consciousness

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Carlos Suares in his book Cipher of Genesis reports on experiments he =
did at a university in Egypt. He pronounced letters of the Hebraic =
alphabet, until forms on an oscilloscope appeared to be harmonious. =
Using these sounds, generated by the letters, he found that by using =
combinations of them representing physical objects there was produced an =
image of the object on the screen of the oscilloscope. Converting his =
name into the same format produced the image of his form. I had the =
privilege of hearing him report this work and have never run into anyone =
more excited by results of experiments. =
Gurdjieff in his book, "All and everything," and =
possibly in his book, "Meetings with Remarkable Men," reports meeting a =
man who could strike a chord on an insrument using strings from an =
animal source and produce something like a wart on a man's leg which =
subsequently disappeared when a second chord was struck.
There is a video tape available , on which a group of researchers =
constructed three dimensional forms of the Hebraic alphabet.
I suspect that ancient language had the ability to alter physical form =
and ideas, and that this was largely forgotten or ignored. (Is this =
connected to the dispersal of language at the time of the Tower of =
Babel).
The Armenian priest and composer Komitas or Gomidas, claims to have =
removed influences from his music which did not conform to the above =
ideas. Gurdjieff studied with him in Paris and then generated what he =
called Sacred Music. More recently EJ Gold has used these principles to =
generate music and art to evoke changes in consciousness. =20
At this moment I am using the Brain Wave generator, set at Schumann =
resonance to tune my consciousness as it cycles through the quantum =
leaps between resting moments. It appears to affect awareness as it =
expands at least to the boundaries of this universe (an intuitive =
insight only!)

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Carlos Suares in his book Cipher of =Genesis reports=20on experiments he did at a university in Egypt. He pronounced =letters of=20the Hebraic alphabet, until forms on an oscilloscope appeared to be=20harmonious. Using these sounds, generated by the letters, he found =that by=20using combinations of them representing physical objects there was=20produced an image of the object on the screen of the =oscilloscope. =20Converting his name into the same format produced the image of his =form. I=20had the privilege of hearing him =report this work=20and have never run into anyone more excited by results of=20experiments. &=nbsp; &n=bsp; &nb=sp; &nbs=p; =20Gurdjieff in his book, "All and everything," and possibly in his book, ="Meetings=20with Remarkable Men," reports meeting a man who could strike a =chord on an=20insrument using strings from an animal source and produce something like =a wart=20on a man's leg which subsequently disappeared when a second chord was=20struck.

I suspect that ancient language had the =ability to=20alter physical form and ideas, and that this was largely forgotten =or=20ignored. (Is this connected to the dispersal of language at the =time of=20the Tower of Babel).

The Armenian priest and composer =Komitas or=20Gomidas, claims to have removed influences from his music which did not =conform=20to the above ideas. Gurdjieff studied with him in Paris and then =generated=20what he called Sacred Music. More recently EJ Gold has used these=20principles to generate music and art to evoke changes in =consciousness.

At this moment I am using the Brain =Wave generator,=20set at Schumann resonance to tune my consciousness as it cycles through =the=20quantum leaps between resting moments. It appears to affect =awareness as=20it expands at least to the boundaries of this universe (an intuitive =insight=20only!)